Author: Geoff Ebbs

  • ‘We will kill everyone of them’ – Manus Island

    ALP MP was at riot
    This links to Asher Wolf’s story breaking Steve Kilburn’s story

    Papua New Guinea residents have told guards at Manus Island they will kill every last refugee that their government tries to settle in the country.

    Steve Kilburn told a packed Kurilpa Hall today that he had every reason to believe they would carry out the threat. “This was just after I saw the police and army line up pointing guns at each other metres outside the detention centre.” Kilburn had called the police after interrupting an attempted rape by an Army officer.

    “This solution cannot work, is not designed to work and the only logical explanation for it is that we are just trying to break the spirit of these people,” he told the packed meeting organised by the Refugee Action Collective.

    Kilburn nursed forty wounded inmates lying on bloody mattresses for two days, with only Panadol to relieve the pain of broken limbs, ribs and in one case a completely smashed eye socket. His stories were corroborated by speakers from Amnesty International as well as guards who wished to remain anonymous because they want to return to work and one ex-guard who broke his silence for the first time at Kurilpa Hall.

    Prisoners are kept without shade in tropical sunshine and refused hats. They queue for hours in the hots sun for meals because the inadequate kitchen facilities run out of food part way through meals. Guards offered to build shade structures out of spare materials already on site but were disallowed. When Amnesty visited the shade structures were erected, only to be removed after the Amnesty visit.

    Shoes provided by humanitarian aid groups in Australia to protect inmates feet against the harsh rocks and jagged coral that makes up the floor of the compound sit under lock and key in a container next to the compound. Shoes are offered as rewards to prisoners who comply with the guards.

    Prisoners in ‘naughty corner’ do not have toilets. They shit in a hole in the ground and the stench makes the guards physically ill when they walk past. Prisoners are allowed 4 minutes of shower a day in one or two sessions. They have to shower facing a guard who times them to ensure they do not use more than their share of water. Water is one of the resources that causes bitter resentment with the local people. The mountains of rubbish and the drain on medical resources are others.

    Every speaker described the unholy heat and the overcrowding with people sleeping centimetres apart and one narrow walkway through 160 beds crowded into a space designed as living quarters for twenty people.

    Because of the highly insanitary conditions all inmates and guards are “fogged” sprayed with a chemical to reduce infections and infestations. One 72 year old asthmatic, collapsed every day during the fogging. Guards offered to walk him out of the compound during the fogging, but were refused. He now huddles in a shelter with a wet towel over his head and hopes not to die. Every day.

    Mr Kilburn believes that most Australians simply do not believe how bad things are. “They turn a blind eye because they think these people have come here illegally and deserve to be discouraged. They do not believe that our government could be doing things this bad. We are deliberately torturing these people.”

    A number of asylum speakers spoke about their experience in refugee camps and detention centres across the world. “These detention camps are the worst ever. They are worse than the prisons I fled in my home country,” one speaker said.

    Mr Kilburn believes that the government feels that the program is a success. They are prepared to sacrifice these humans as a deterrent to other refugees. He believes the deliberate cruelty is specifically designed to make refugees give up and return home even if they face certain death.

    Other speakers supported this, quoting people saying they would rather die at home with family than in a prison camp between the tropical sun and jagged coral gravel.

    Mr Kilburn spent three days trying to get a Syrian man to eat bread because he had stopped eating after finally giving up his attempts to seek asylum in Australia only to be told that he could not go home either because the Australian government could not guarantee his safety.

    He feels that he is a failure because he dragged his family from their homeland in the hope of a better life only to see them trapped in this tropical hell from which they are told every day there is no escape.

    All the speakers talked of the threats they face by speaking out. They are in breach of confidentiality agreements so broad and so draconian they cannot even mention that they are under a confidentiality agreement. They know they will never work in the security industry again or work for a government agency. They are told they will be refused loans or credit and so may never buy a house or a new car. These are serious threats in Australia.

    Steve Kilburn told a shocked audience that he has had to decide that nothing the Australian government can do to him is worse than it is doing to the asylum seekers.

    “They can come and get me”, he said, “because when they do, I will have my day in court and I will subpoena everyone who has ever worked for these agencies in my defence and the whole story will come out into the harsh light of day. They do not want that.”

    While most people attending the meeting were already opposed to offshore processing the overwhelming majority are shocked at the atrocities being carried out on the orders of our elected government. The overwhelming mood of the meeting was that we must collectively get out there and talk to people who are opposed to cruelty but might have supported offshore processing because of fear of refugees.

    Understanding and truthful information are the best tools to overcome fear.

    Information is available from the following sources

    http://www.refugeecouncil.org.au/

    http://www.amnesty.org.au/refugees/

    http://www.australianrefugee.org/

    http://www.rac-qld.org/

     

  • Download Westender – July 2014

    July Westender
    Click the image for the downloadable version of Westender July 2014

    Read the Westender on your phone, tablet or computer.

    Download a full copy of the latest edition and read it at your leisure.

    COMMUNITY

    4 Have your say – feedback from our readers

    6 Community news

    8 Joe Hurley has left the House – Jan Bow

    10 Rallying for refugees – Sam Navin

    18 What’s in your stars – Sudhir

    BUSINESS VOICE

    10 Business news

    11 Are you ready to retire?

    12 Internet killed the Video Store – Jimmy Wall

    14 CUT your costs – Green initiatives are good for the bottom line – Mal Mackenzie

    15 CUT the clutter – Looking good is good for business – Jano Dawes

    BUDGET CUTS

    16 Got dem ol’ budget blues again

    DIRECTORY

    19 Support the businesses who support us

    WESTENDER EATS

    20 Holy Mackerel! – How to confit a fish – Richard Webb

    21 Spanakopita – a perennial favourite – Lizzie Devereaux

    23 Taking it to the streets – Street Food hits West End

    25 Lest we forget – The trailblazers of dining

    WESTENDER LIVE

    26 Arts News – Brisbane Festival, In Time, Poetry Prize, Shadowlands

    28 Music News – Passing of the Joynt,

    30 Gig Guide

     

  • Street Hoops build community

     

     

    IMAG1495

     

    This is a street hoop and it belong to your Street. It represents all the people who live in this street.  It is a circle of identify, safety, and a way to show that we care about our stret and about each other.

    Feel free to add something that represents you and your place in your street.

  • Aldi opens its doors today

    Aldi's West End store
    Aldi West End opens in Montague Rd today, July 2nd

    Aldi’s 337th  Australian store opens in Montague Rd West End today. The supermarket chain specialises in providing a limited range of goods at prices well below that of traditional supermarkets.

    The company is busy emphasising the positives which it bills as a ‘smarter shopping experience’. Fundamentally, the benefits to the community boil down to employment opportunities for some locals and an alternative to the Coles Marketplace.

    Aldi has completely failed though, to engage in the community consultation that it has trumpeted as a key part of its entre into the market. Depending on your point of view, the general controversy about a wall of 12 and 15 storey apartments along the river either protects Aldi from specific attention or makes it more critical than ever, that they engage the community.

    Westender put a series of concerns to them, including the impact of bringing more shoppers to an already crowded 4101, the creation of a new shopping precinct without any infrastructure investment, parking and employment issues.

    The company provided a bland, general press release in response which Westender published verbatim on May 24th. http://westender.com.au/aldi-wants-community-engagement/

    Requests from West End Community Association were referred to the customer service department who politely declined to queries that “do not concern customer service”. Westender again offered the company the opportunity to break the Catch 22 and respond publicly to those community concerns. We have received a standard press release singing the praises of the supermarket and celebrating the liberation of West End from the Woes of Coolworks duopoly.

    Many Westenders will no doubt welcome the opportunity to exercise more consumer choice, even if it does nothing to reduce food-miles, free farmers from enslavement to the supply chain or create a more integrated community on the Kurilpa Peninsula.

    As your urban voice, Westender will continue to endeavour to place your concerns on the table and enable dialogue between those shaping the physical environment in which we live, work and study.

  • Romeo and Juliet sweeps clean

    Swordplay in Romeo & Juliet
    Tybalt and Mercutio cross swords in the market square

    Kenneth McMillan’s Romeo & Juliet has not been seen in Australia before. That it is now here in Brisbane, with some of the British superstars occasionally in lead roles, is due to the hard work and vision of Queensland Ballet Artistic Director, Li Cun-Xin. Life-long dancer and corporate juggler, Master Li has set out to create a world class ballet company here in Brisbane.

    Romeo & Juliet is the physical expression of that plan, writ large. Audiences love it.

    Powerful dancing, riveting acting, brilliant staging, and compelling music, combine to immerse audiences in the emotional sweep of Shakespeare’s most famous work.

    McMIllan’s choreography was daring in 1965 and remains powerful fifty years later. As you would expect of an Englishman it is faithful to the bard’s text but as a young man at the height of his creative powers, McMillan brought new expression to a classic art form. He was not afraid to bring the sex implicit in the work right into the fore or to send up some of the sillier parts of the discipline.

    Mercutio’s extended death scene is almost parody, a precursor to Monty Python’s Black Knight twenty years later. THe3 choreography of the sword play is part-musical, part theatrical and part vaudeville. By contrast, the parting-is-such-sweet-sorrow scene simply and powerfully evokes the impossibility all new lovers face when separating after that first, mind-blowing bonk. We have all been there and Prokofiev’s score and Macmillan’s choreography carry us of into those tender memories. The Bard had a way with words, Macmillan and Prokofiev do it with human bodies.

    Prokofiev’s 1940 score had challenged the Russian Ballet and won acclaim with audiences for twenty five years before Macmillan got the chance to reshape Leonid Lavrosky’s production thanks to a boycott of the British by the Russians. His rendition was further blessed by Nuryev and Fontaine, who only danced it because of internal politics in the British ballet scene. As is often the case, this rich series of accidents brought a masterful work to the pinnacle of success.

    The sets and costumes we see at QPAC’s Lyric Theatre have been loaned by the Birmingham Ballet. They are sumptuous, classical and stunning. This is the technology of ropes and canvas or an earlier era refined and preserved in the arts.

    Australian audiences, on the whole, are grateful for the opportunity to catch up on culture that has not been readily accessible here. We are such stickler’s for tradition that we plan to keep the Queen on our coins even if the Brits do not.

    Of course, that does not satisfy everyone.

    The diamond and sapphire empress grew up on Goethe and finds Romeo and Juliet’s obsession with romantic love somewhat puerile. As a Lifeline support worker she knows that suicide usually has more to do with money and terrible guilt than unrequited love, whatever teenagers flooded with hormones might feel.

    MacMillan also assumes a certain familiarity with Shakespeare, almost evoking key phrases familiar to English speakers with his staging. In some instances the lack of words creates problems for newcomers to the tale. Why does Juliet recover from her vial of poison, when Romeo does not? What is the threat from her parents that makes it important to feign death in the first place?

    Another friend and contemporary dance teacher was disappointed by the emphasis on tradition and the constraints on artistic freedom which that enforces.

    Regular readers of Westender know that I love contemporary art forms that push the envelope. Shadowlands remains my favourite work of the year, so far. Regardless, the middleclass evolutionary in me wants to maintain a healthy respect for the classics and build on, rather than knock down the centuries of discipline that have gone into refining them.

    Master Li’s strategy appears to be a combination of bringing the world’s best here, challenging and developing our local talent and building the framework on which a new generation might build creatively.

    It is a strategy appropriately tuned for the current Government’s penchant for the corporatisation of the arts and the top-down delivery of culture.  A survivor of China’s Cultural Revolution and the boardrooms of Australia’s finance sector, one can assume that Master Li will trim his sails as he must.

    The Queensland Ballet is in good hands. Now, let’s bring down the ticket prices.

  • Focus on payroll

    payroll savings posterA series of free webinars run by Business Queensland will be run across July to help you get your payroll right, and submitted to the Australian Tax Office on time.

    Running on the 3rd, 9th, 14th and 15th July the one and a half hour webinar is designed to teach you how to prepare for the 2014 payroll tax annual return and use OSRconnect to lodge your return online.

    For more information on these webinars and the other programs promoted by Business Queensland head over to the business events website.